By Nathalie Phan
The many shades of lead man Zach Black can be found behind the curtains of his newest project, Souls Extolled. Through this roller coaster of a journey, Black rips through a number of songs with high energy, smooth vocals, and instrumental harmony. Resulting from the chaotic cacophony is their debut album Follow the Ghosts.
In one of my favorite tracks titled "Mutations Sake," the song starts with ambience and masterful lyricism: "From way up high, looking down at the ground / You can feel the gravity pulling me down / Tripping through the mission just a vision away / Hopin' for the wisdom of another day." Like some of the other tracks on the album, the song eventually breaks down into an epic release of energy before returning to its original slow prowl.
In another track titled "Garden of Eden," Black sets up for the perfect retelling of Adam and Eve's creation story. Dark but with a slight levity from the guitar picking up in the chorus, the bass creeps throughout, adding a quick slapping funkiness to the song.
Lastly, the most provocative song in the whole bunch might be "Touch Me (F**k Me)." Black burns through his guitar like a hot knife through butter but soothes it momentarily through pieces of the song before returning it to an angry blaze down the neck of his guitar. The drums beat down just as heavily and rapidly, competing for moments to breath with the lead guitar parts.
Overall, the project, from top to bottom, is a made of fantastic and angry but sensational compositions. Weaved in are interesting and well thought out lyrics.
Stream Souls Extolled's Follow the Ghosts everywhere.
By Samantha Rodriguez
The last time country rock group Cowboy Diplomacy released music was back in 2017. Fast forward from two years ago to today and now, they’re making a comeback with their fascinating single, “The Get Down.” The single was released today, Friday, August 2, 2019 and it definitely brings forward the encouragement and motivation people may be seeking.
By Rey Castillo
The feel-good, empowering love song by Math Judson, “Love Someone," does what he himself intended the song to do: Tell people to show compassion to others.
By David Tran
Culture Wars, the Austin based rock trio featuring Alex Dugan, Mic Vredenburgh, and David Grayson recently released their single “Let Me Down” this Friday and we are in love! The track is filled with energetic melodies and guitar riffs to compete with Dugan’s silvery voice and the lively percussion from Vredenburgh and Grayson.
By Ashley Morris
Today, on April 18th, local Austin pop artist SOBBRS released his music video for “Monsoon,” which features a buoyant, electronically lush beat amplified by singer/songwriter Jesus Acosta’s vulnerable vocals. Modernly poetic, the fresh, minimalist track is pop recontextualized.
Color, movement, and light define videographer Mitchell Allison’s conceptualization of SOBBR’s new single. Following the ambiance of the song, Allison creates a minimalistic yet mind-bending video that has the vibe of a small art gallery mixed media presentation. The beginning of the video presents a neutral, muted setting of a few vases filled with water and fragmented images of a woman. Lyrics are thrown up on the screen in haphazard patterns, and shots of flesh, glass and water create a sensual surreal mood. About halfway through the song as the music builds, the color shifts from off-white to red, highlighting the visceral tones in “Monsoon” by elevating the intensity.
By Ashley Morris
We’re sweet on Nick Adamo’s smooth, dreamy bittersweet debut single “Sugar Daddy” and we think you will be too. An avid skateboarder in his youth, classic skateboarding VHS tapes and culture are a continuing inspiration to his art. The NY-born, Texas-raised artist came to Austin in 2015 to add his flavor to the music scene and will be dropping more tracks along with “Sugar Daddy” in 2019.
By Ashley Morris
Wrongbird’s EP Who is Wrongbird? debuted towards the end of 2018 and the eclectic band just now released their music video for “Leap Year Birthday” a sunny rock tune on the album.“Leap Year Birthday”’s piano driven track is amplified by energetic percussion and guitar set in opposition with Eric Baker’s nonchalant, unassuming vocals and ambiguous, riddle-like lyrics.
“Leap Year Birthday” is a goofy satire complete with temper tantrums and a cake fight to finish. The video’s setting is a sunny park during a child’s birthday party, but the children are all adults, featuring members of the band. The cinematography is simplistic with a home video feel to it, adding a DIY touch. But the video itself is anything but simplistic, with multiple things going on: the “parents” watching the birthday party drinking near the presents, various “children” playing on the playground, and the birthday girl playing tag with frontman Eric Baker. The interesting idea of portraying children as adults adds an endearing, awkward whimsy to the composition.
The video depicts a zest for life, both its pitfalls and its high times, through the lens of childhood scrapes on a playground and making fun out of things going wrong. The idea that “life is strange, but it’s fun” drives Leap Year Birthday. The chorus “I’m standing here, up to my knees in the milky way/ thanking God for when he said “breathe in breathe out breathe in let’s call that life what do you say?”/ And all his people said okay/ you can’t stop me” reflects a punchy optimism mixed with childlike wonder of the music video.
Goofy and endearing, Wrongbird’s new video for “Leap Year Birthday” will make you smile with its optimism and silly cast of characters. A reminder never to take life for granted, but also, don’t take it too seriously.
In front of a tightly packed house, a spectacle of talent graced the stage last night at the Austin Music Awards, all coming to a head with Austin legend Alejandro Escovedo's duel performance with Jakob Dylan and a heartwarming tribute to MC Overlord.
Hosts Laurie Gallardo and Rick McNulty announced the winners of the highly contested local music poll. This year, the competition was stiff, but unlike previous years, the roundup of winners seemed more deserving than in the times past.
2019 AUSTIN MUSIC AWARD WINNERS BY CATEGORY:
BEST MUSICIAN OF THE YEAR -- Shakey Graves
BEST AUSTIN BAND -- Shinyribs
BEST NEW AUSTIN BAND -- Black Pumas
BEST SONG OF THE YEAR -- Black Pumas, “Black Moon Rising”
BEST ALBUM OF THE YEAR -- Bob Schneider, Blood and Bones (Shockorama)
BEST NONE-OF-THE-ABOVE -- Bob Schneider & The Moonlight Orchestra
BEST ROCK -- Bob Schneider
BEST MALE VOCALIST -- Bob Schneider
BEST SONGWRITER -- Bob Schneider
BEST AVANT GARDE/EXPERIMENTAL -- The Octopus Project
BEST BLUES/SOUL/FUNK -- Guy Forsyth
BEST MISCELLANEOUS INSTRUMENT -- Guy Forsyth (Harmonica)
BEST COUNTRY -- Willie Nelson
BEST ELECTRONIC -- Ghostland Observatory
BEST FOLK/BLUEGRASS -- Wood & Wire
BEST HIP-HOP/RAP -- Magna Carda
BEST JAZZ -- White Ghost Shivers
BEST LATIN -- Gina Chavez
BEST FEMALE VOCALIST -- Gina Chavez
BEST METAL -- Black Heart Saints
BEST PUNK -- Sailor Poon
BEST WORLD MUSIC -- Grupo Massa
BEST BASS -- Roscoe Beck
BEST DRUMS/PERCUSSION -- Brannen Temple
BEST GUITAR -- Jackie Venson
BEST HORNS -- Grupo Horns
BEST KEYBOARDS -- Emily Gimble
BEST STRINGS -- Carrie Rodriguez
BEST RADIO STATION -- KUTX
AUSTIN MUSIC HALL OF FAME -- Ruthie Foster
TOWNES VAN ZANDT SONGWRITING AWARD -- Alejandro Escovedo
MARGARET MOSER WOMEN IN MUSIC AWARD -- Dianne Scott
By Ashley Morris
“Keep Austin Weird” is the local trademark of this city. Austin locals take pride in being different, and its music scene is no exception. But what makes Austin’s music atmosphere different from all the others? In the press release announcing the 2019 Austin Music Awards, co-founder of SXSW, The Austin Chronicle Louis Black said:
"What has always truly and uniquely defined the Austin music scene is the work those in it put in. More than critics, industry honchos, scene makers, or even music fans, so many musicians work so hard in this extraordinary community to impress the audience they regard as the most important — other musicians,” acknowledging the special drive and creative energy that makes Austin’s music scene incredible.
By Nathalie Phan
Austin's prince of cool pop and one man wonder Mobley has released an alternate version of his standout song "Swoon," titled "Swoon:Stagger" off of his Fresh Lies Vol. 1 album released earlier this year.
“When I’m writing a song, I explore countless variations while crafting its arrangement. ‘Swoon’ went through multiple incarnations," says Mobley. "I thought it'd be fun to let people in on some of the parallel universes I explore when I’m working on a record.”
What eventually resulted from the artist's masterful reiterations of his own song was the first of three remixes to be released.
We are generating new content for On Vinyl's online magazine, Vinyl List, by reshaping our blog in a new format and continuing our work in putting a spotlight on local music in Austin, Texas.